arion
Poetry | mòr/amor/umor
Mar 18, 2026 · 3 min read
who or what is arion? what's the deal?
You’ll find the raw text at the bottom, if you prefer to read in that format.
Musical Pairing:
https://www.youtube.com/watch?v=COxXOGzud1k
arion | E. G. Ware
they come without hinge or evensong,
no carapace to confess them, no shrine to hold their name,
only a wet rudiment, a glossolalia of muscle and sheen,
written in the low vowels of loam.
they advance: slow/sole/soul,
a rhyme that fattens as it moves,
a mouth unmoored from any face
in the garden’s margin, where measure should keep its border,
they make of boundary a hearsay: blush becomes blemish,
leaf becomes leaving, the green script of rows dissolves to cursive excess.
not one, not two, but a quorum of soft insistence,
each body a question the soil keeps rejoining: more, more:
mòr/amor/umor
the tongue slips, the word dilates,
and appetite outpaces its own etymon.
they are difficult to tell apart, as grief, as rain,
color unfastened from essence, hue a consequence of what has been
taken in. eat to become / become to erase.
see how they write themselves along the stems: a silvered estimation,
viscous, continuous, a theorem of trespass proved in increments,
not breach but seep, not rupture but revision.
the beds once held their lines like arias,
now every outline murmurs, over, over, over
overrun/overripe/overtaken
the rhyme refuses closure, refuses the mercy of end.
where a seed dreamed upward, a mouth arrives to prefigure
bloom’s undoing, to eat the future in its syllabic husk.
do you hear: even the stones grow fluent in damp, even the fence
forgets its function. a crossing occurs without event,
no gate unlatched, no hinge confessed: only the slow annulment of between.
they leave a script the morning can’t quite read,
lucent as breath on glass, a residue that says: we were here, we are still,
we will be after the naming fails.
and they move
slew/slow/slough
shedding no skin but the idea of limit, unhoused, unbounded,
a congregation of need made tender and terrible.
once rendered down to grease, bodies a balm for the axle’s complaint,
motion fed by what would not stop moving.
the wheel learned their lesson: friction is only hunger with a harder name.
so the field remembers them as accidence:
a way of saying without, a way of crossing without,
a way of taking that feels like becoming.
until nothing stands apart long enough to be spared, and the earth,
overfull,
begins to speak in their dialect:
mire/more/never-enough
a chorus without consonant, a feast without finish.
© E. G. Ware
